Star Wars Episode VIII: The Last Jedi. The Best Post-Disney Star Wars Film
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.

The old man, Carl-Henrik de Grévy, left his family many years ago, when the stock market collapsed. His sister Louise believes that he is dead and wants to get control of her brother's property, being the sole inheritor. The Sneijder's live on one of the old man's manors. They have also lost their money but as a sign of friendship he promised them before he left that they will stay there for as long as they live. Louise and her 'creative' lawyer is trying to find a way to get rid of the Sneijder's. It seems as if the only hope they have is that the old man returns.
I love The Last Jedi. I don’t think there has been a Star Wars movie in quite some time that brought something new, something fresh to the table.
Izzy and Prince Thomas learn that taking control of their own destiny requires following their hearts and making their own decisions.
Perhaps the most amazing and groundbreaking quality about The Birdcage is how removed it is from both illness and insensitivity. Whereas films preceding it were often somber stories about the tribulations of being gay in a conservatively straight world, Nichols and screenwriter Elaine May expose the fallacies of conservatism as traditional values are thrown into a more open-minded space. They don’t care how far the community has fallen so much as how high they can rebuild themselves.
Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint. The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters.
At first glance, “The Good Liar” is a respectable piece of fiction, starring Ian McKellen and Helen Mirren. But underneath everything, the film expertly hones the unpredictability of deceit.