Grumant: The Island of Communism 

I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

Stevan Lee Mraovitch’s film is a beautiful tribute to family, found family, and the lengths people will go to support their loved ones.

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.

This emotional, frightening, and dreamlike story examines the ways actresses are exploited in the name of art.

Although not canonically aromantic or asexual. the stories and personalities of these Disney princesses resonate with members of the aroace community.