What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.

The logical thing, the sane thing, is to stay on land. But they paddle out. Why do these big wave surfers risk their lives to ride these mountain-sized waves? The answer is overcoming fear. "Ground Swell: The Other Side of Fear" is an in-depth look at the 2021-22 big wave season through the eyes of Nic Von Rupp, Kai Lenny, Matt Bromley, Torrey Meister and pioneering female surfer Bianca Valenti. They all push past their fear and find out what is on the other side as they tackle monstrous waves in locations from Nazare in Portugal, Jaws and Pipeline in Hawaii and Mavericks in Northern California.
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
Eventually, “Hobbs and Shaw” introduces us to a Samoan community. Clearly, Johnson’s Samoan roots are on display. Quite frankly, I found this section of the film very intriguing. The “Fast and Furious” franchise has a solid track record in the diversity department
Two Distant Strangers (2020) centers around Carter James (Joey Bada$$) as he tries to get back home to his pitbull, Jeter, after spending a night at the apartment of his date Perri (Zaria Simone). What gets in the way of Carter reuniting with his dog is that every time he tries to leave Perri’s apartment, he is killed by police and wakes up back in her bed in a never-ending cycle. It addresses the issue of police brutality which rightly has been in the public eye more and more with the unjust deaths caused at the hands of law enforcement.
The classic ghosts-in-revenge story expanded into an extensive dig into the historical social system while being funny and horny.
Despite its glaring flaws, First Girl I Loved is not entirely undeserving of a watch. For people who can handle the more difficult aspects of the story and graphic scenes, it is worth looking into. It’s not a film worthy of rewatch, but it may still resonate somewhat with those who need a story like this. It is a genuine, if flimsy attempt at a coming-of-age tale. Were the film to be directed by someone with experiences more similar to Anne, it would likely be more powerful--as it is, it feels like a man’s perspective of what it means to come to terms with your identity as a lesbian.
This Christmas movie gives viewers a friendship that unexpectedly forms from a plane trip.