Three stories depicting three molesters and the women they molest. One is used in SM by the woman he molested, one enjoys an intense affair in a hotel but is left with a heavy burden afterwards, and the other makes a move on a yakuza's mistress and is thoroughly threatened, leading to an unexpected ending.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
Miley Cyrus shares her struggles as a songstress with a young audience, all while staying upbeat for the Disney brand.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
On their new show, The Kardashians, the famous family continues to use their personal lives as advertisements for thier billion-dollar businesses.
The relationship between the characters is what makes this film stand out, and it’s just all-around fun.
