Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Grin til Gavn 2021 poster

Grin til Gavn 2021 

The wait has been long, but now coronavirus and lockdown can finally be replaced by laughter and enjoyable time with friends and family. A number of the country's best comedians interrupted their Easter holidays and took to the stage for a good cause in 'Grin til gavn' (Laugh for a Cause) – Save the Children's comedy show. The hosts of this comical extravaganza are Ane Høgsberg and Martin Nørgaard.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


The wait has been long, but now coronavirus and lockdown can finally be replaced by laughter and enjoyable time with friends and family. A number of the country's best comedians interrupted their Easter holidays and took to the stage for a good cause in 'Grin til gavn' (Laugh for a Cause) – Save the Children's comedy show. The hosts of this comical extravaganza are Ane Høgsberg and Martin Nørgaard.

Rating:
Genre:Comedy
Directed By:Lars Hammer
Written By:Ane Høgsberg, Ida Trads, Jakob Riis, Michael Schøt, Marlene Øgendahl, Christoffer Olsen, Mikkel Klint Thorius, Stine Hammer
In Theaters:
Box Office:

Runtime:

Studio:TV 2 Zulu, Red barnet

Articles You May Like


'The Half of it' Handles its Presented Social Issues Thoughtfully

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

Andrea Amoroso