Trans Allegories in Film: 'Your Name' (2016)
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Green Frankenstein
Hiroshima, Japan: A giant monster attacks a fishing boat and devours the crew. Frankenstein expert Russ Adams and radiation researcher Takako Mizuno are suspicious. Does this have anything to do with the radioactively mutated creature they raised years ago and that had been swallowed by an earthquake? Could a new being have developed from its cell remains, one that is so closely connected to nature in the depths of the sea, that it now regards humans as a natural enemy? A lively, experimantal mix between stage play, radio play and Japanese monster movie unfolds.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Hiroshima, Japan: A giant monster attacks a fishing boat and devours the crew. Frankenstein expert Russ Adams and radiation researcher Takako Mizuno are suspicious. Does this have anything to do with the radioactively mutated creature they raised years ago and that had been swallowed by an earthquake? Could a new being have developed from its cell remains, one that is so closely connected to nature in the depths of the sea, that it now regards humans as a natural enemy? A lively, experimantal mix between stage play, radio play and Japanese monster movie unfolds.
Rating:
Genre:Science Fiction
Written By:
In Theaters:
Box Office:
Runtime:57 minutes
Studio:Neverhorst Company
Articles You May Like
The Power of Looking in 'Nope'
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
'Ashley Garcia: Genius In Love' (2020)
This Netflix series is about Ashley Garcia, who gets a once in a lifetime opportunity to work at NASA.
Samantha Mitchell’s “RSVP” Incluvie Film Fest Review
“There’s always something you can do…to make people feel like they’re welcome”
Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Hustlers Should’ve Hustled More!
Hustlers was meant to be a film about female empowerment. And it was, to a certain extent. I expected and wanted this to be a kickass and complex film of sexy women who use their confidence, skills, and wits towards a brilliant plan to get revenge on the Wall Street guys who wronged them.