Rejecting “The Prom”-posal
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.

At the ripe old age of 30, Cameron Day has given up his chances at pro-basketball fame and settled into an aimless life. A chance encounter with a beautiful woman lands him smack in the middle of Southern California's pro beach volleyball scene. A naturally talented true athlete, he seems destined for sports stardom once again until his old demons start creeping in, threatening his chances at success.
Despite everything it was capable of, all of these poor choices strung together amount to nothing more than a counter-productive film.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Coolie promised style, action, and Rajinikanth’s mass presence, but did it deliver on substance? Here’s my full review on whether Lokesh Kanagaraj’s film lives up to the hype.
Not every film can make a shopping mall feel both magical and menacing, but Forbidden Fruits challenges that.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
With raw and unapologetic performances by Viola Davis and Chadwick Boseman, stories about the hardships of Black musicians are weaved in with The Blues.