In 1949, the KMT government retreated from Mainland China to Taiwan, bringing along an army of 600,000 people. The director’s father was one of them. They thought they would be returning to the Mainland before long but ended up waiting for forty years. A hairpin belonging to the director’s grandmother allows her to walk into her father’s world, and to discover the memories of these old veterans.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
A strong representation of African Americans in this film features evil spirits and horror-themed elements.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
