Grand Attack explores a coincidence across time: 19th century hysterics and 20th century yoga practitioners have striken nearly identical poses. The iconic hysterical backbend, for example, which culminated the convulsive grande attaque documented by neurologist Jean-Martin Charcot, is indistinguishable from ashtanga ‘drop backs’. Why were these institutionalised women of the 19th century assuming yoga poses? Is the contemporary wellness industry a new form of hysteria? Four advanced yoga practitioners summon, on film, new somatic states from centuries-old images.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
"13 Going on 30" tracks the tricky transition from adolescence to adulthood.
