What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

Two short sequences compose a story about our near future.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
The film, which focuses on an Argentinian family during an intimate birthday dinner, efficiently captures the eccentricities of each character as well as the nuances of their interpersonal dynamics.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
An anti-war film denouncing the valorization of senseless violence, 'All Quiet on the Western Front' is (unfortunately) all too relevant in 2022.