Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
Good Years Gone poster

Good Years Gone (2022)

Being back home for the weekend, two childhood friends decide to catch up while taking pictures of their hometown, but it’s not much of a “stroll down memory lane” for the one friend who never got his chance to leave.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Being back home for the weekend, two childhood friends decide to catch up while taking pictures of their hometown, but it’s not much of a “stroll down memory lane” for the one friend who never got his chance to leave.

Rating:NR
Genre:Drama, Comedy
Directed By:Andrew Kovac
Written By:Andrew Kovac
In Theaters:2/20/2022
Box Office:

Runtime:7 minutes
Studio:

Articles You May Like


Think You Know Pirates? Watch The Bluff

The Bluff unravels its mystery slowly, opening on the capture of a ship captain named Bodden (Ismael Cruz Córdova) and the swift execution of his entire crew. Then, viewers are treated to a tranquil British settlement in the Cayman Islands in the 1850s, where a mother bakes a coconut birthday cake for her son in a house suspiciously rigged with makeshift tripwires and burglar alarms. As it turns out, that mother is Priyanka Chopra’s quick witted and resourceful ex-pirate Mrs. Ercell Bodden, and her husband’s captors are on the way to the island to hunt her down for abandoning them and stealing their loot. The pirates of the Libertas land on the beaches of Cayman Brac, and the scenes that follow show a Viking-esque slaughter of half the island.

Jo Moses

"Him" - All Flash, No Game

Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.

Nilufer Ozmekik