Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Good Times poster

Good Times 

Abu Dis is an Arab village situated in the shadow of Mount of Olives. After the second Palestinian Intifada, the Israeli government decided to build a 2-meter wall right in the middle of the village that divided Abu Dis into two sides. But now the wall is no longer a dividing border as it was intended. Everybody is climbing over it in order to get to Jerusalem. This situation reflects the general chaos of the conflict in which well-defined rules don't exist. The directors followed the day to day life that surrounds the wall through three main protagonists.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Abu Dis is an Arab village situated in the shadow of Mount of Olives. After the second Palestinian Intifada, the Israeli government decided to build a 2-meter wall right in the middle of the village that divided Abu Dis into two sides. But now the wall is no longer a dividing border as it was intended. Everybody is climbing over it in order to get to Jerusalem. This situation reflects the general chaos of the conflict in which well-defined rules don't exist. The directors followed the day to day life that surrounds the wall through three main protagonists.

Rating:
Genre:Documentary
Written By:
In Theaters:
Box Office:

Runtime:33 minutes
Studio:

Articles You May Like


"She’s Gotta Have It” was Ahead of the Curve in Portrayal of Female Sexuality

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Andrea Amoroso