Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Follows FBI Special Agent Ana Gray as she hunts for a kidnapper. As Ana develops a rapport with the kidnapper's latest victim, the suspect suddenly changes his pattern. Now Ana must race to find him before he strikes again.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
The biggest highlight of the film is easily the performance of Andrew Garfield. In his days since hanging up his Spiderman suit, Garfield has routinely churned out great performances, and Mainstream is no exception. He proves that he is willing to try anything and go anywhere in a character.
"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
Of the 28 total films I watched, just six of them were queer or featured queer characters in some way.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.