Shudder’s 'Cursed Films' (Review)
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.

Follows FBI Special Agent Ana Gray as she hunts for a kidnapper. As Ana develops a rapport with the kidnapper's latest victim, the suspect suddenly changes his pattern. Now Ana must race to find him before he strikes again.
Shudder makes an incredibly atmospheric docuseries about the darker side of Hollywood mysteries.
What can I say about this Will Ferrell/Julia Louis-Dreyfus-led “dramedy?” Well, the comedy part of Downhill is completely non-existent. And I should have known that the film was a flop when I walked into an empty theater at a prime time on a Friday night.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.
A film that focuses on an algorithm for a dating app that will bring viewers in for a surprise.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.