‘My Big Fat Greek Wedding 3’ Is A VICTORY For Queer Representation
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.

Following the success of Platform Presents’ world first, online, live, theatrical production of A Separate Peace in May 2020, they are thrilled to follow with the launch of Lorien Haynes' romantic comedy Good Grief directed by Natalie Abrahami (RSC, National Theatre, Young Vic) and starring BAFTA award-winning Sian Clifford (Fleabag) and Nikesh Patel (Artemis Fowl). Also part of this predominantly female strong team are Isobel Waller-Bridge, re-partnering with Sian Clifford having worked with Sian on ‘Fleabag’, who is developing the sound design and score. Alongside her is Fin Oates as Editor, (I Hate Suzie), award-winning Emma Dalesman as Director of Photography, Natalie Pryce as Production Designer (winner, Production Designer, Black Theatre Awards 2020). This new production, which takes the best of theatre and television production, aims to create an unmissable theatrical event for 2021.
'My Big Fat Greek Wedding' is a franchise built on inclusive storytelling.
A recent look at gender and racial diversity in film shows some signs of progress. However, white men still make up the vast majority of actors and directors in top-grossing films.
This Disney+ movie is about a 12-year-old math genius who wants to become a rapper.
With so many binge-worthy TV shows floating around and new ones constantly being released, I have compiled a list of some more recent TV shows that rank high on the diversity scale for both the cast and crew.
Based on the true story of activist and paralegal Erin Brockovich, the titular film charts her incredible story of success.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.