TIFF ‘22 Coverage: ‘The Fablemans’
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.

Founded by friends Virgil Reality and Mike Hex, alternative rock band Squirm stalked the Garden City of the 90s leaving behind an EP and two albums of fantastically drugged-out art-punk before fading into obscurity. Simon Ogston's documentary is an affectionate tribute to both an unknown band worthy of rediscovery and to the fertile punk underground that spawned them. Christchurch was home to a vibrant and innovative music scene throughout the 90s and Gone with the Weird fingers many of the culprits: featuring interviews with Squirm's contemporaries such as Loves Ugly Children, Pumpkinhead, Ape Management and The Bats as well as Squirm's surviving band members, including their Spinal Tap-like succession of drummers. We meet Virgil Reality reflective in middle age, paying homage to Mike Hex who died of complications from pneumonia in 2004 and ruminating on their heavy drug use during the band's heyday.
'The Fablemans' is Spielberg's most personal work to date, the cast delights audiences at the TIFF premiere.
The tale of the Snyder Cut will undoubtedly go down as one of the most fascinating stories in modern film history. It is one of the rare times that movie fans were able to rally together and champion an issue so much so that it actually came to fruition.
Great films not only give us great stories, but also great soundtracks. Here are some of our favorite picks for soundtracks songs.
“Synchronic” is special, but it doesn’t succeed in achieving all the objectives it aims for. The film is a science fiction oeuvre which tries to be cerebral at some points, although the original idea is interesting, it only accomplishes to talk about some serious matters superficially.
‘Run Sweetheart Run’ has everything women fear the most, from psycho boyfriends to tampons.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.