The original is a manga work by Shigeru Tsuchiyama serialized in the magazine "Leed Comic". The director is Takeshi Watanabe of "Kyouju Luger P08", the script is Masaya Ishikawa, and the shooting is Naoaki Imaizumi. A hard-boiled action by a combination of a former yakuza detective and a gangster who is a police officer. Performers are Kazuya Kimura, Rikiya Yasuoka, and Katsuya Kobayashi. Kyotaro Inugami, a detective at the port station, is a former yakuza. The young head of the gangster group Tsuneno-gumi, Choji Hanawa is a police officer. They were two people glaring at each other, but there are two people, Assistant Commissioner Masaru Sasaki and Shiro Sasaki ...
I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
While the camera is objectifying her body to invoke a sexual response in male viewers, Lara Croft still defies the expectations of women in action films.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
