Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Izzy’s making a movie. She casts her best friend, Diana, who enthusiastically prepares for the shoot. A struggling actress, she clings to the hope that this leading role will turn her career around. 'The Seed', a feminist slash environmentalist magnum opus about a plant that saves the world starts shooting the next morning. Incompetence, paranoia and sexual frustration drive the crew to the brink of mutiny. Are they going to make it? Or are they all Going Nowhere?
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
Many have interpreted Maya Deren’s Meshes of the Afternoon as a dream sequence, but what if the repetitive scenes we are given are not dreams but, a time loop.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
A family drama is woven with quiet yet powerful forces of words and nature.
A homeless girl faces depression and uncertainty during the holidays.
Some people’s first introduction to Mira Nair might be as New York mayor Zohran Mamdani’s mom. But with her insightful direction of 1991’s Mississippi Masala, Nair shows how much she deserves to be known as an artist. Delivering a nuanced portrait of a romance between a Black man and an Indian woman living in the South, Nair explores the complications each character faces, giving both equal weight.