When her fiancé is killed, dancehall queen Cleo Borden inherits his wealth. Included are oil wells overseen by British engineer Carrington, whom Cleo sets out to win by becoming a 'lady'. She horseraces in Buenos Aires, gains social position by loveless marriage to bankrupt Colton, and even performs in an opera. But when she encounters Carrington again, he's become the Earl of Stratton!
In a film where a Black couple is framed to be the lead characters, they still managed to get shuffled off to the sidelines. The enthusiastic cast delivers well on goofy bits- but can only go so far before they begin to fall flat.
Diana’s spirit has taken off, ‘No right, no wrong, no rules for me.’ And in that moment, as she runs on the screen, she gets it, her ‘Let It Go’ moment.
In light of the trailer release for the Five Nights at Freddy's sequel, it’s due time to talk about the first movie.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Narnia, Avengers: Doomsday, Jumanji 3 are some compelling ones! Some of the biggest 2026 movies tied to popular franchises, books, video games, comics, and existing series. Marvel and DC, Disney and Pixar.
