The GoBots, television's amazing transformable super heroes, star in their first full length feature film, "GoBots: War of the Rock Lords." It's wall-to-wall action and high tech fun as the heroic Guradian GoBots join the Rock Lords' battle for control of the ultimate super weapon. And they'd better hurry, because the Guardian GoBots' all-time worst enemies, the Renegades, are out to use the super weapon for their own evil purposes.
Ray Patterson, Alan Zaslove, Don Lusk
Director
Margot Kidder
Solitaire (voice)
Roddy McDowall
Nuggit (voice)
Michael Nouri
Boulder (voice)
Telly Savalas
Magmar (voice)
Arthur Burghardt
Turbo / Cop-Tur / Talc (voice)
Ike Eisenmann
Nick (voice)
Bernard Erhard
Cy-Kill (voice)
Marilyn Lightstone
Crasher (voice)
Morgan Paull
Matt (voice)
Lou Richards
Leader-1 (voice)
Leslie Speights
A.J. (voice)
This film manages to be simultaneously topical and timeless. Without being preachy, it highlights society’s flawed relationship with tech; insights into the complex ideas of family struggle are expertly dispersed among a perfectly paced and balanced story.
The Suicide Squad's Polka-Dot Man aka Abner Krill, played by David Dastmalchian, helped me come to terms with my own issues of anxiety.
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
This Netflix series is a remake based on the book series of the same name with a more diverse main cast.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.