'Rewind Thirty' - MiamisFF Review
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
Go! Boys' School Drama Club
Genki Ogasawara enrolls in an all boys high school. He then sets out to become popular with girls and looks for a club to join at school. Genki then comes across a performance of "Romeo and Juliet" performed by the school's drama club. Genki falls for the lead playing Juliet and decides to join the drama club. Genki isn't aware that the drama club is about to be shut down and that the person playing Juliet is actually a senior male student in drag.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Genki Ogasawara enrolls in an all boys high school. He then sets out to become popular with girls and looks for a club to join at school. Genki then comes across a performance of "Romeo and Juliet" performed by the school's drama club. Genki falls for the lead playing Juliet and decides to join the drama club. Genki isn't aware that the drama club is about to be shut down and that the person playing Juliet is actually a senior male student in drag.
Rating:
Genre:Comedy, Drama
Written By:Tetsuhiro Ikeda
In Theaters:
Box Office:
Runtime:86 minutes
Studio:Showgate, TFC
Articles You May Like
What is "Bugonia" Actually Trying to Say?
The film seems like an extreme interpretation of the conspiracy theorists that exist in real life. And then, there’s the twist.
Honey Girls Jam Their Hearts Out
A trio of girls form a band and enter a singing competition together after learning they work best as a team.
Enola Holmes 2: The Story of a Female Detective
The sparks of a dangerous conspiracy ignite a mystery in this sequel based on the mysteries of Sherlock Holmes.
'Jack and Diane' Review: Wasted Potential
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
“We Are Pat” (2025): Reclaiming a Controversial 90s Icon
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.