Every day, Felix dresses up as a knight to walk through the streets of Brussels. Slowly, he becomes a social icon, both in public and online, where he livestreams himself. Lucy, his neighbour, sees more than a man in armour. Unaware that she is the final step in his ritual, she follows him home, as thousands watch.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.
The sequel to the first film, A Second Chance: Rivals! talks about Maddy combating cyberbullying and racism.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Even with its straightforward premise, “Richard Jewell” is ramped up by exceptional drama. In all honesty, the performances are out of this world. As Jewell, Paul Walter Hauser becomes a walking representation of gullibility. His bumbling antics create the perfect hero, and very quickly, we feel the societal heat that surrounds our protagonists.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
