Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

When a once great gladiator's betrothed is murdered, he vows to hunt down the killer. But when he discovers the murderer is no stranger, the gladiator must enter the Colosseum once more to avenge his bride.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
An adaptation of the book series ‘The Knife Of Never Letting Go’.
Elsewhere is less than fourteen minutes long, but it delivers a more emotional impact than most feature-length films.
A family comedy that combines fantasy and normal school life.
'Pariah' tells a powerful, mesmerizing, and unflinchingly honest story of identity.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.