Murders are being committed consecutively in Istanbul. A detective team affiliated with the police department is working to solve the case. Detectives KEMAL (40) and ZEYNEP (30) go to the crime scenes to conduct investigations. The clues gathered do not lead to any conclusions. Amidst this uncertainty, ZEYNEP attempts to unravel the mystery. However, the KILLER is not far away. One day, the KILLER gives ZEYNEP a clue. Following the clue, ZEYNEP thinks she has caught the KILLER, but it's time to face a bitter truth. ZEYNEP becomes the KILLER's latest victim.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
This powerful story shines with poetic animation, an exploration of deeper truths, and the protagonist's complex search for identity.
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
