Jim and Walter are two brother sailors in the United States Navy. Walter tells Jim as soon as they get home he is going to ask his beautiful girlfriend, Nancy Larkin to marry him. But Jim is also in love with Nancy so he begs Nancy's ugly duckling sister, Letty to help break Walter and Nancy up. Letty agrees only under one condition, he help her to win Walter!
Elliott Nugent
Director
Martha Raye
Letty Larkin
Bob Hope
Jim Brewster
Betty Grable
Nancy Larkin
Jack Whiting
Walter Brewster
Clarence Kolb
Captain Tallant
J. C. Nugent
Mr. Larkin
Bonnie Jean Churchill
Ethel May Brewster
Nana Bryant
Mrs. Brewster
John Henry Allen
Messenger Boy (uncredited)
Irving Bacon
The Druggist (uncredited)
Bobby Barber
Sailor (uncredited)
The film's Incluvie rating is off the charts. It features Black, Muslim, queer, trans humans whose moms hold them up, fight for them, and love them for who they are...making anything possible.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
People are so much deeper and far more extraordinary than what gender they were assigned at birth.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
The Chronology of Water is a raw, honest, and unforgiving portrayal of how an abusive childhood ripples throughout one’s life. It is definitely the best movie I’ve seen Imogen Poots in. And even though Kristen Stewart has a long acting career for her young age, her directorial skills in this film show a lot of promise. Her feature debut as a director, an adaptation of Lidia Yuknavitch's critically acclaimed 2011 autobiographical memoir, is fully immersive, mesmerizing, and impressive.
Produced by Vanguard Animation and released on Netflix, this animated fairytale movie has a lot of ironies as the story is told by the prince himself.