Man-haters Pamela Gordon, Violet and Kate West, each disappointed in love, vow never to marry, and room together with a sign above their door reading "No man shall cross this threshold." When Edgar Holt enters their room to escape an irate husband whose jealousy he mistakenly aroused, he falls in love with Pamela, but she makes him leave through a window across an ironing board over a courtyard. Edgar woos Pamela but he is unsuccessful in breaking down her resolve, even though she privately softens and develops a love for him. To help her, Edgar secretly gets her a position as a confidential secretary with his firm.
'An American Werewolf in London' possesses a possible queer reading in the way it envisions a heterosexual romance being undone by the presence of a creature who embodies self-contentment in the face of social alienation.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.
"Rodgers' & Hammerstein's Cinderella" wasn’t just a fairytale, it's a Black girl's fairytale. It was a fantasy world where the undeniable beauty of Black girls and Women was celebrated and beloved.
Hawkeye episode 3 has arrived and it feels like we’re finally getting started! This episode features the debut of Maya Lopez aka Echo, a Deaf Indigenous hero with a prosthetic!
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
I write for a diversity-focused film review blog, so I’ll be honest: I really wanted to like Pretty Lethal. Starring Maddie Ziegler, Lana Condor, Iris Apatow, Avantika, and Millicent Simmonds, Amazon Prime’s new thriller seemed like it would be a girl power movie about dancers with a horror action twist. Sort of a Suspiria for teens. But with shallow and unlikeable characters, a confusing plot, an overreliance on violence, and cringey dialogue, any fun the movie started out with was quickly lost. What was left was a faint echo of greater horror movies about dancers made before.
