Girl From Moush is a poetic montage of the artist's journey through her subconscious Armenia. It is not an Armenia based in a reality but one, which appears, like the mythical city of Shangri-La, when ones eyes are closed. A mesh of traditional images 'engraved' in film, with haunting voice-over, and rich colors, music and rhythms that continues long after the film is over. The viewers are engaged and forced through unchartered landscapes of uncertainty and fascination.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The Christmas Horror section of films is growing, and today we present a bold selection of new and old Christmas horror films to celebrate this macabre union.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Kate Winslet and Saorise Ronan deliver stellar performances in a film that doesn't live up to its potential.
