Gildas a quelque chose à nous dire 

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

This year, in light of the pandemic and the inability to gather with our loved ones, a few of our staff members reviewed their favorite holiday films with the hope of recreating some of the sentimentality that reminds us of home.

The new biopic 'Elvis' highlights the beginning and end of the career of this rock and roll legend. The audience is taken on this journey knowing the tragic ending but not so much about what led him there. A large topic of discussion is the influences on Elvis that made him who he was as a singer, musician, and performer, which were blues, gospel, and country. Many of the songs that rose him to fame were songs by Black artists he heard growing up in primarily Black settings.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

'The Last Black Man in San Francisco' is part fiction, part documentary. Jimmie longs for the old Victorian home that he grew up in — the house that his grandfather built. However, this home is now in an overpriced, White, San Francisco neighborhood.

The movie is centered around the title character who goes on a Christmas adventure.