The film revolves around a gangster named Mustafa (Patekar) who is a contract killer and can go any limit to please his superiors and offers 5 times Namaz. He was adopted by a powerful don Shanta Prasad (Rawal) when he was a child. He calls Shanta as Abba (an Urdu term for father). Abba taught him the crime tactics and made Mustafa his weapon for his illicit crimes. Mustafa's only aide is Sudama, his childhood best friend. Abba shares enmity with the Verma brothers Mahesh, Rohan and Bipin (Pradhan, Joshi and Bahl) which the trio wants to kill Abba. Meanwhile, a dancer Kavita (Tandon) who works in Verma's dance club.
Partho Ghosh
Director
Nana Patekar
Ghulam -E- Musthafa
Raveena Tandon
Kavita
Paresh Rawal
Shanta Prasad 'Abba'
Aruna Irani
Bhagyalaxmi Dixit
Mohan Joshi
Mahesh Verma (Club Owner)
Mohnish Behl
Bipin Verma (as Mohnish Behal)
Ravi Behl
Arun
Shivaji Satham
Dayanand
Swapnil Joshi
Vikram
Keerthi Chawla
Vidya
Sulabha Deshpande
Kavita's Mother
A chilling return to the Final Destination franchise with a terrifying twist on fate. Bloodlines explores whether Death can hold a grudge across generations—and what happens when the past won't stay buried.
I hate the idea that animation’s for kids; just because it’s animated doesn’t mean that it’s some silly cartoon and shouldn’t be taken seriously.
Make way for more Latine representation! Disney has released a toe-tapping musical trailer for "Encanto", which features more diversity than expected!
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Desi Arnaz was an innovator in television and Lucille Ball was a sketch comedy clairvoyant of sorts; 'Being the Ricardos' focuses on their genius as a couple, but shies away from the interracial aspect of their marriage.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.