Why the #OscarsSoWhite Boycott Should Not Be Forgotten Just Yet
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?

A dreamy, experimental documentary exploring the legacy of British colonialism in Mauritius and the Chagos Islands. It traces two constitutional challenges to colonial-era sodomy laws and the ongoing fight of displaced Chagossians to return home. As the criminalisation of LGBTQ+ lives collides with climate injustice and contested sovereignty, the film reveals how imperial power continues to shape legal systems, identities, and land rights. A haunting meditation on queer struggle, forced displacement, and the unfinished business of decolonisation.
Even after a history changing event, the 93rd Oscars proved it always had the space for more inclusivity in its award ceremony. But it this enough to change the boycott?
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Treated like a granter of wishes for those earning out of retelling the same tragedy, Marilyn looks like she's caged in different stages of trauma for us to stare at, instead of someone we’ve finally allowed to rest in peace.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.