Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

An electrifying performance by German band Get Well Soon to celebrate the 74th Berlinale. Every year, the German capital hosts one of the world's biggest film festivals: the Berlinale. For the 74th edition, in February 2024, the band Get Well Soon—formed around singer-songwriter Konstantin Gropper—headlined the "ARTE Berlinale Party" music event, which took place at Schwuz, an iconic Berlin club. In addition to his studio albums, Konstantin Gropper has created the music for three episodes of the German series How to Sell Drugs Online (Fast). He also contributed to the soundtrack of Detlev Buck's film A Very Bad Plan (2020). His cinematic streak made his band the ideal candidate to rock the Berlinale.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
The characters aren’t likable, the story is predictable and the humor is either disgusting, obnoxious, or uncomfortable. The Wrong Missy is a mess of a film and it’s not really worth your time.
At Coopers Chase, murder isn’t just tragedy—it’s Thursday’s entertainment. Chris Columbus’ The Thursday Murder Club transforms Richard Osman’s bestselling series into a cozy, clever whodunit where Helen Mirren, Pierce Brosnan, Ben Kingsley, and Celia Imrie prove that life’s sharpest twists don’t stop with age. With llamas on the lawn, cakes at the ready, and secrets around every corner, this star-powered mystery balances charm, humor, and heartache, reminding us that friendship, resilience, and reinvention might just be the ultimate clues.
‘The Bear’ Season 2 has all the right ingredients for both comedy and drama.
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.