The Final Season of ‘Superstore’ Sends off an Inclusive Gem
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.

Two shady businessmen set out to shake up the West Berlin funeral industry - with unconventional ideas and questionable methods. To this end, they take over the business of a long-established mortician who wants to retire. One of them also hooks up with the colorless daughter of the chairman of the local mortician's association in order to get money and his father's customer list from her. Meanwhile, his partner has to deal with his wife and their equally nagging children. And then the establishment strikes back. At the same time, the unmarried newcomer to the industry discovers that he does have real feelings for the association chairman's daughter.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
Ultimately, Wicked is a story about the cost of being othered, the pain of being misnamed, and the quiet revolution of standing in your truth.
Disney has a glaring and, up until recently, unaddressed issue that spans nearly its entire lifetime - an absence of diversity.