Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Young Israeli, Mark Nill, arrives in the German resort of Ravensburg looking for a bit of summer fun – and what does he discover? A town that’s filled to the rafters with the hottest and horniest male totty around, all of which is just gagging for the next damn fuck. Featuring STAXUS exclusives Rudy Valentino, Tim Law and Dick Casey, this is one dream vacation that’s guaranteed to have you tugging on your dick and spewing copious amounts of cum before the journey home!
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
'Don't Lose Your Head' follows the motto of "grades aren't everything."
Mahavatar Narsimha (2025) brings the epic tale of Hiranyakashipu to life with stunning animation, intense action, and a bold retelling of this timeless mythological drama.
Outer Banks (2020-) knows its audience: young adults in a country that can’t stop romanticizing good ole’ treasure hunts. Add a little of Riverdale’s (2017-) sex appeal, and no one can look away. Forty years after The Goonies (1985) America’s consciousness hasn’t strayed from the same tropes: treasure hunts, a vulnerable white male lead, and the whitewashing of a racially segregated setting.
The Outer Senshi get characterization and some stellar moments in the second part of the Eternal movie duo.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my reading will reveal, 'Nimona' could be interpreted as a transgender story.