"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.

On the brink of the Depression in 1929, Georgia O'Keeffe - America's first great modernist painter - headed west. In the bright light of the New Mexico desert, she forged an independent life and found the solitude she needed for her truly original art. The photographs taken of her by her older lover scandalized the public. Her flower forms were seen as a shocking and vibrant display of femininity, her bones and skulls as surreal and disturbing. Now, 30 years after her death, to coincide with a major Tate Modern show, imagine - tells the story of Georgia O'Keeffe, one of the most inspiring artists ever.
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
Sinister and suffocating, 2022's The Black Phone delivered more than just scares - it brought atmosphere, depth, and a villain audiences won't soon forget.
Although Fargo is not actually based on a true story, I do believe it is worth the watch. It has drama, suspense, and a mysterious figure to keep you engaged.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.