Garfield the Movie: A Failure in Adapted Characters
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.

Entering Georges Didi-Huberman’s home is already entering his work: the libraries and their classification, the organized reproductions, and especially the table on which the historian places a few images chosen for us, seeking their relationship of affinity, conflict, dialectical tension. 45 minutes pass where a world is constructed at the same time as a gaze is organized before our eyes, inside the frame. Not only the world of art, the world of images, but the world in general.
An analysis on how the Garfield movie fails to represent the characters it is adapting, especially the women, by removing their best characteristics.
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