'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

Genjuro’s crime was assassination, his punishment was to survive a faked execution and lose his home, lose his identity, and emerge as Maboroshi Shinigami, the Phantom Assassin. When his wife is kidnapped and tortured to reveal his whereabouts and dragged to the executioner for crucifixion by corrupt clan officials, Genjuro faces an army of swords to save her. Evil men aim to frame Genjuro for another murder. For their scheme they need only one thing, Genjuro’s dead body. Genjuro will have to cut down their swordsmen and challenge Sarashina Gunpei, deadliest blade in Japan in a final blood-soaked battle.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
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