
The main character of the film is 11-year-old Gaja. She presents to us her unusual family and the world in which she lives. After Mother's departure to Africa on the mission of the Doctors without Borders, this world undergoes a significant change. Her father must learn how to take care of his daughters on his own. Gaja has a sister, Tea who because of her teenage naivety gets herself into a world of online threats and crime. But clever and crafty Gaja is capable to handle all the problems. Her best friend Matic, a computer genius is always under attack of his more powerful classmates, but Gaja is not afraid of anyone. She proves that the weaker can be the strongest if the brains and the heart are in the right place. Despite occasional violations of the rules Gaja's decisions match that cordial and sincere world that always touches us. Whatever happens, Gaja is not a passive observer - she always bravely takes matters into her own hands.
James Cameron’s “Aliens” (1986) is a pinnacle of science fiction storytelling. Within this classic monster movie lies a powerful female character, Ellen Ripley (brilliantly portrayed by Sigourney Weaver).
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
It’s been awhile since I’ve seen a film that is jarring within the first five minutes. Being at the edge of my seat from the very beginning made me feel both excited and frightened for what was to come, and it did not disappoint. Led strongly by Jennifer Lawrence as Grace, a woman trapped in the “American dream”, this film shows that society tells us what should make us happy. Many critics describe Die My Love as being about post-partem depression, but it is so much more. After moving to a secluded home with her husband Jackson, Grace finds herself in the throes of motherhood. Feeling isolated in her physical environment and her romantic relationship, Grace suffers psychologically. Lawrence brings a sense of rawness and humor to the screen that is often uncomfortable. Robert Pattinson adds to the discomfort as her loving, yet lost husband Jackson, who cares about his wife but does not know how to help her. Lynne Ramsay has presented a film that forces us to look at the realness of life, and what happens when the promise of what should make you whole fails.
A bond between a girl and her dog takes an unexpected twist as the dog is not what it seems.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."