“The Fog”: Women in Classic Horror
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.

Gaither Gospel Series Live from Carnegie Hall: Song and Artist list: 1. I'm Gonna Sing Gaither Vocal Band 2. God Loves New York City Mark Lowry 3. Is There Anything I Can Do? 4. Carry Us On Benjy Gaither/Marshall Hall 5. Onward Christian Soldiers Dean Hopper/Kim Hopper/Ann Downing 6. Jesus Saves Wesley Pritchard/Joy Gardner/Reggie Smith/Larnelle Harris 7. The End Of The Beginning David Phelps 8. If It Had Not Been Lynda Randle/Andrae Crouch 9. It's Lucky We Met Janet Paschal 10. Lord, Give Me Wings Jessy Dixon 11. How Great Thou Art George Beverly Shea 12. Let There Be Peace On Earth Bill & Gloria Gaither 13. Medley: I Come from Alabama with a Banjo/Jesu, Joy of Man's Desiring/William Tell Overture Buddy Greene 14. I Am Not Alone Natalie Grant 15. Amazing Grace Wintley Phipps 16. God Bless America Bill & Gloria Gaither 17. It Won't Rain Always Janet Paschal 18. Love In Any Language Sandi Patty
The Fog follows more of a 1950s creature feature plot than a late-70s slasher with three legendary scream queens.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
Disney/Pixar may see a bit of a turning point with Pixar’s new Disney+ Sparkshorts short film: OUT.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
At least we got the original cast back, right? Not even that saves it. None of them could bring a sliver of hope to this special. Rather, they bring dread as we witness the light leaving from their eyes.