'The Super Mario Bros. Movie' Comes to the Big Screen
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.

Rome. The 1980s. After the magnum opus The Art of Joy she has been working on for a decade is rejected by the Italian publishing world, writer Goliarda Sapienza commits a desperate theft that costs her her reputation and social position. Incarcerated in Italy’s largest female prison, she finds herself living alongside thieves, junkies, sex workers and revolutionaries. After her release, she continues to meet with these women and over the course of a sweltering summer, a life-changing relationship flowers – a relationship that will reawaken her the desire to live and to write.
The heroes of the Mushroom Kingdom make their way to the big screen in this animated movie.
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
A sweet slice-of-life anime that visualizes all the ways we creatively hide our vulnerabilities from the world.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Given a choice between a man and a mountain, it’s safer to choose the mountain.