Jacques Tati and his friend Rhum star as down-and-outs (very much their situation in reality at the time) who try to generate funds by providing an impromptu leisure tour in a rickety bus they wangle use of for free.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.
A dynamic journey of self-acceptance and identity.
Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.
An apocalyptic tale captivates the nation as it teaches us to love even in the hardest situations.
"Well, the film industry is completely sexist and completely class-biased." A closer look at Lynne Ramsay's impressive body of work.
