Trans Allegories in Film: 'Robots' (2005)
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.

Gormless 25 year-old Cardew, wealthy beneficiary of the Robinson Will, should have left St. Fanny's School many years ago. However, seedy headmaster Dr. Jankers (music hall favourite Fred Emney) is in the toils of shady bookmaker Harry the Scar (boxer Freddie Mills) and has so-far kept his golden goose perched firmly at the bottom of the class. Blissfully unaware of nefarious intrigue around him, Cardew continues to flirt coyly with the French mistress and gamble for school dinners on the form room roulette wheel. But canny Scots solicitor McTavish has been sent to investigate... Featuring television's Billy Bunter, Gerald Campion, gorgeous Vera Day, Will Hay cohort Claude Hulbert, muddle-mouthed Stanley Unwin, a young Ronnie Corbett, and enough old jokes to fill a Christmas Cracker factory.
Animation as a medium of storytelling can be thought to be open to all ages and as I hope my readings will reveal, they could be interpreted as transgender stories.
I think that the happiness and survival of "Wynonna Earp"’s LGBTQ+ characters is incredibly refreshing in contrast to the prevalence of queer suffering and death in other television.
Halle's belting, crystal clear notes, and warm tone infused something into this blockbuster that I thoroughly enjoy.
In ‘The Owl House’ protagonist Luz Noceda stumbles across a portal to another dimension where magic exists, called The Boiling Isles.
The Legendary Clades - a family of explorers - find themselves in a strange new world with fantastic creatures awaiting them. Perhaps their greatest challenge will be healing the ties that bond.
The differences in these films could not be more blatant, and yet Gus Van Sant has found a way to portray the same messages and use the same techniques in each.