Fucking Prince of Bremen 

There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A young girl named Hailey Mays sings a country song that is named after the film's title.

We got a movie that takes the old school approach of trying to creep you out with chilling atmosphere more than anything else.

Desi’s “straight man” to Lucy’s playful exuberance subverted people’s expectations of what a Latino man could be and added respect and nuance to the way onscreen marriages between men and women were portrayed.

I’m still trying to comprehend the psychological and moral implications of their fascination with each other, or why their almost written-in-the-stars depth of connection makes so much sense.

Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.