Not Much More than Magic in 'Maestro'
In 'Maestro,' we're left with an impression but not with an understanding of the main character.

The building is gone. After the fire, they planted flowers and trees. The past lies covered, as if no one had ever lived here. There is no stone. No name to speak. The park grew green, but nothing named who once had been.
In 'Maestro,' we're left with an impression but not with an understanding of the main character.
With a quirky outline, Project Hail Mary stays within the bounds of human language and imperial fantasy.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
It’s 5:30am. The baby’s crying, but you need to finish prepping for your big pitch at work that morning. What do you do? You do the near impossible: both. That's what "Workin' Moms" is all about.