Shot with a hidden camera, from the perspective of someone wandering the streets, the 40-minute film loop tracks 24 hours in the life of the area around the railway station. Actors play passers-by, and passers-by thus become actors.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.
In The Novelist's Film, Hong explores the meaningful things people share and inspire by virtue of simply engaging with one another.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
Jeff Aquino’s film “Viral” placed second in 2020’s Incluvie Film Festival fest, he’s back again with his film "An A Peel for Justice".
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Love, Simon (2018) based on the book “Simon vs The Homo Sapiens Agenda” (by Becky Albertalli) is a teen LGBTQ+ rom-com with themes of longing to find others with similar struggles, and ultimately is a story of acceptance of identity from those around you, and most importantly, from yourself.
