From Prada to Nada (2011)

The film exhibits a respect for the craft and an empathy for human tribulations that have historically been ignored.

... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night

"Come Play" was entertaining and had some great ideas about how to scare children away from playing with facial recognition settings.