'Pulgasari': The Strange Story Behind North Korea's Godzilla
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.

From Here is a hopeful story of Tania, Sonny, Miman, and Akim - artists and activists based in Berlin and New York, whose lives and futures hang in the balance of immigration and integration debates. As the US and Germany grapple with racism, nationalism, and a fight against diversity, our protagonists move from their 20s into their 30s and face major turning points in their lives: fighting for citizenship, starting families, and finding room for creative expression. Spanning a decade in two of the world’s largest centers of immigration, this sensitive and nuanced documentary captures their journeys to define what it means to “belong” in societies that are increasingly hostile to their existence.
When we hear Korean Cinema, we often think of South Korean Cinema, but what about North Korea? Sure, North Korea has its propaganda moments, but 'Pulgasari' might be its best one yet.
'Hawkeye' episode five features Clint facing his sins, Kate having dinner with an assassin, and the reveal of the long-awaited [SPOILER].
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
Not only does the system prevent upward mobility, but it makes it incredibly easy to slide from comfortably middle class to unhoused.
Ian and Barley embark on a quest to find a magical gem to restore their father back to life.
"The Platform" is horror and science fiction film doubling as a visual commentary on capitalism and economic inequality. The movie is not for the faint of heart nor the viewer hoping for political neutrality in their film's depth.