Frogman 

Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.

Darren Arronofsky focuses on diverse and heartbreaking stories about the human experience.

The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.

The Olivia Wilde renaissance is upon us.

A tale of legendary hunters and monsters that reminds us once more not to judge a book by its cover. Enjoy this heartwarming sea shanty with a well-done plot twist.

Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7