What We Do in the Shadows (of Our Closet Walls)
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
The film centers around two young women, Becca and Sam, who were once high school sweethearts until they reconnect in their town.
Ripley is a great character because she serves two distinct, but rewarding, purposes in the original film and the sequel.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
Presenting a bold and unapologetic narrative focused on strong Muslim female characters, the show beautifully incorporates punk rock as a feminist movement in their lives.