Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
French Heels (1922)
Returning from France after the war, John Tabor informs Palma May of her brother's death and offers the penniless girl his help, but she refuses it, preferring to work as a cabaret dancer. Later, John and Palma meet again, marry, and go west to manage a lumber camp, as instructed by John's wealthy father, Jarvis Tabor. Displeased by John's choice of wife, the elder Tabor tests the couple with difficult living conditions, which eventually discourage Palma, and she accepts the party invitation of Keith Merwyn, manager of the cabaret where she starred. Meanwhile, Merwyn effects a disturbance among the lumbermen, endangering John.
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Returning from France after the war, John Tabor informs Palma May of her brother's death and offers the penniless girl his help, but she refuses it, preferring to work as a cabaret dancer. Later, John and Palma meet again, marry, and go west to manage a lumber camp, as instructed by John's wealthy father, Jarvis Tabor. Displeased by John's choice of wife, the elder Tabor tests the couple with difficult living conditions, which eventually discourage Palma, and she accepts the party invitation of Keith Merwyn, manager of the cabaret where she starred. Meanwhile, Merwyn effects a disturbance among the lumbermen, endangering John.
Rating:NR
Genre:Comedy, Romance, War
Written By:
In Theaters:1/29/1922
Box Office:
Runtime:71 minutes
Studio:Holtre Productions
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