Wreck-It Ralph Transforms from Bad Guy to Good Guy
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.

The poet and storyteller Fred Pellerin invites us to enter the fantastic and playful world of Saint-Élie-de-Caxton. There we discover a man named Ésimésac Gélinas, the strongest man in the world! The word juggler will delight your eyes and ears. Comme une odeur de muscles is presented at the Monument-National in Montreal.
I'm bad, and that's good. I will never be good, and that's not bad. There's no one I'd rather be than me.
Netflix's new thriller Apex, starring Charlize Theron, puts a twist on survival horror. Despite its setting in the beautiful- yet-dangerous Australian wilderness, Apex is not a movie about man vs. nature. Instead, it’s woman vs. man. While checking out the title card and its unpretentious Netflix release might lead viewers to believe Apex is just another celebrity project churned out of the streaming machine, Apex - whether by luck or by intention - is a consistently harrowing film about the reality of being a woman in a public space.
One Christmas Eve, after a sudden snowstorm, a group of teenagers will discover how their lives will change forever.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Twisting what seems to be obvious setups and frameworks is what sets the story structure of Squid Game apart. I appreciate that this narrative is complex but not complicated; an easy enough plot to wrap your head around while still treating the audience like an equal participant in this social commentary