‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

In 1994, police dug up the bodies of nine young women from the home of Gloucester builder Fred West and his prostitute wife Rose. Police tapes, never disclosed at the time, reveal how Fred West had begun a series of shocking confessions after the severed corpse of his teenage daughter, Heather, was found under the patio of their Cromwell Street home. West's seemingly normal home movies record how he turned the family home into a brothel for his wife Rose, as his children played downstairs.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
This 2024 musical film is based on the Broadway show and the 2004 film of the same name with major differences.
Hanna Bergholm's 'Hatching' shows us that the modern version of the cardboard world trope is social media.
The movie is centered around the title character who goes on a Christmas adventure.
A story about precarious tricks and unstoppable discipline to inspire young viewers. They'll learn that like any dream, achieving Cloud 9 is possible.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.